Aubusson is a town in central France where they wove and knotted fabrics since the fifteenth century. The organized manufacturing in laboratories across, was unified in 1743, when it began to produce textiles, tapestries and carpets, "the Turkish fashion" for the palaces of the royal house. The factory became famous for a kind of working "Rusticus" grosser, from drawings to "verdures (foliage, flowers and shrubs with fruit, landscapes and forests). In the second half of the eighteenth century Rococo style imposes terms of elegance, grace and joyfulness and brightness. Towards the end of the century the style became more austere, simple and bombastic as the neo-classicism.
These are two styles to create the luck of the production of Aubusson: the grace of the decoration set in a classical architectural setting and simple, in some cases moved and broken. The pictures show the central topic of pastoral themes, Oriental (the chinoiserie) and military. Other sources of inspiration are the corbeilles of Dutch and French painting of flowers and still lifes various decorative elements (horns of plenty, vases, shelves, musical instruments or weapons).

Aubusson is a town in central France where they wove and knotted fabrics since the fifteenth century. The organized manufacturing in laboratories across, was unified in 1743, when it began to produce textiles, tapestries and carpets, "the Turkish fashion" for the palaces of the royal house. The factory became famous for a kind of working "Rusticus" grosser, from drawings to "verdures (foliage, flowers and shrubs with fruit, landscapes and forests). In the second half of the eighteenth century Rococo style imposes terms of elegance, grace and joyfulness and brightness. Towards the end of the century the style became more austere, simple and bombastic as the neo-classicism.
These are two styles to create the luck of the production of Aubusson: the grace of the decoration set in a classical architectural setting and simple, in some cases moved and broken. The pictures show the central topic of pastoral themes, Oriental (the chinoiserie) and military. Other sources of inspiration are the corbeilles of Dutch and French painting of flowers and still lifes various decorative elements (horns of plenty, vases, shelves, musical instruments or weapons).

Aubusson is a town in central France where they wove and knotted fabrics since the fifteenth century. The organized manufacturing in laboratories across, was unified in 1743, when it began to produce textiles, tapestries and carpets, "the Turkish fashion" for the palaces of the royal house. The factory became famous for a kind of working "Rusticus" grosser, from drawings to "verdures (foliage, flowers and shrubs with fruit, landscapes and forests). In the second half of the eighteenth century Rococo style imposes terms of elegance, grace and joyfulness and brightness. Towards the end of the century the style became more austere, simple and bombastic as the neo-classicism.
These are two styles to create the luck of the production of Aubusson: the grace of the decoration set in a classical architectural setting and simple, in some cases moved and broken. The pictures show the central topic of pastoral themes, Oriental (the chinoiserie) and military. Other sources of inspiration are the corbeilles of Dutch and French painting of flowers and still lifes various decorative elements (horns of plenty, vases, shelves, musical instruments or weapons).

Aubusson is a town in central France where they wove and knotted fabrics since the fifteenth century. The organized manufacturing in laboratories across, was unified in 1743, when it began to produce textiles, tapestries and carpets, "the Turkish fashion" for the palaces of the royal house. The factory became famous for a kind of working "Rusticus" grosser, from drawings to "verdures (foliage, flowers and shrubs with fruit, landscapes and forests). In the second half of the eighteenth century Rococo style imposes terms of elegance, grace and joyfulness and brightness. Towards the end of the century the style became more austere, simple and bombastic as the neo-classicism.
These are two styles to create the luck of the production of Aubusson: the grace of the decoration set in a classical architectural setting and simple, in some cases moved and broken. The pictures show the central topic of pastoral themes, Oriental (the chinoiserie) and military. Other sources of inspiration are the corbeilles of Dutch and French painting of flowers and still lifes various decorative elements (horns of plenty, vases, shelves, musical instruments or weapons).

Berkana carpets, or "type Kirman." In the 50s in the manufacturing center of Berkana, not far from Beijing, has begun commercial production of rugs from Persian design. They were born to compete in the same production Persian year was experiencing another boom. They had great success in the '70s.
The factory is specialized in the designs of Kirman by the exuberant floral ornamentation.
The work provided a solid structure made ​​of cotton, two applications of textures well beaten, asymmetrical knot is not very fine, but dense and full-bodied, medium level high. The colors are the same as many of the originals, but in cool shades obtained with chemical dyes.
Carpets are very durable, a bit 'stiff and commercial-looking standard and high cost, given the distance from Western markets. They are used mostly as rugs.
At the same time, the Chinese tried to imitate the designs of Shirvan and Caucasians, who often signed his name "Azerbaijan", but without success.

China is the largest state in East Asia. And 'bordered on the southeast by the long chain that separates the Himalayas from India and that rises to the north by the Karakoram and the Pamir. To the north east it borders with Uzbekistan, Tajikistan and Kazakhstan, with Mongolia to the north west and the former Russia. To the south is bordered by the Indo-China (Burma, Thailand, Laos and Vietnam), to the east by the Pacific Ocean.

Berkana carpets, or "type Kirman." In the 50s in the manufacturing center of Berkana, not far from Beijing, has begun commercial production of rugs from Persian design. They were born to compete in the same production Persian year was experiencing another boom. They had great success in the '70s.
The factory is specialized in the designs of Kirman by the exuberant floral ornamentation.
The work provided a solid structure made ​​of cotton, two applications of textures well beaten, asymmetrical knot is not very fine, but dense and full-bodied, medium level high. The colors are the same as many of the originals, but in cool shades obtained with chemical dyes.
Carpets are very durable, a bit 'stiff and commercial-looking standard and high cost, given the distance from Western markets. They are used mostly as rugs.
At the same time, the Chinese tried to imitate the designs of Shirvan and Caucasians, who often signed his name "Azerbaijan", but without success.

Berkana carpets, or "type Kirman." In the 50s in the manufacturing center of Berkana, not far from Beijing, has begun commercial production of rugs from Persian design. They were born to compete in the same production Persian year was experiencing another boom. They had great success in the '70s.
The factory is specialized in the designs of Kirman by the exuberant floral ornamentation.
The work provided a solid structure made ​​of cotton, two applications of textures well beaten, asymmetrical knot is not very fine, but dense and full-bodied, medium level high. The colors are the same as many of the originals, but in cool shades obtained with chemical dyes.
Carpets are very durable, a bit 'stiff and commercial-looking standard and high cost, given the distance from Western markets. They are used mostly as rugs.
At the same time, the Chinese tried to imitate the designs of Shirvan and Caucasians, who often signed his name "Azerbaijan", but without success.

China is the largest state in East Asia. And 'bordered on the southeast by the long chain that separates the Himalayas from India and that rises to the north by the Karakoram and the Pamir. To the north east it borders with Uzbekistan, Tajikistan and Kazakhstan, with Mongolia to the north west and the former Russia. To the south is bordered by the Indo-China (Burma, Thailand, Laos and Vietnam), to the east by the Pacific Ocean.

China is the largest state in East Asia. And 'bordered on the southeast by the long chain that separates the Himalayas from India and that rises to the north by the Karakoram and the Pamir. To the north east it borders with Uzbekistan, Tajikistan and Kazakhstan, with Mongolia to the north west and the former Russia. To the south is bordered by the Indo-China (Burma, Thailand, Laos and Vietnam), to the east by the Pacific Ocean.

Shaggy Rugs: These products represent the latest generation of carpets. Inspired by the roaring '60s back in fashion, and can be recognized by the characteristic level long, of 10-15 cm. The fibers of the fleece may have different thicknesses and colors, mostly bright and switched on. They are found in wool, but especially polyester, polyamide, acrylic, nylon, viscose or polypropylene. The semi-combed yarns are resembling as consistency of the beautiful New Zealand wool (famous for centuries for its softness, for his warmth and strength), but from China. Do not fear the moisture and fragrance, and materials are anti-combustion

Shaggy Rugs: These products represent the latest generation of carpets. Inspired by the roaring '60s back in fashion, and can be recognized by the characteristic level long, of 10-15 cm. The fibers of the fleece may have different thicknesses and colors, mostly bright and switched on. They are found in wool, but especially polyester, polyamide, acrylic, nylon, viscose or polypropylene. The semi-combed yarns are resembling as consistency of the beautiful New Zealand wool (famous for centuries for its softness, for his warmth and strength), but from China. Do not fear the moisture and fragrance, and materials are anti-combustion

Shaggy Rugs: These products represent the latest generation of carpets. Inspired by the roaring '60s back in fashion, and can be recognized by the characteristic level long, of 10-15 cm. The fibers of the fleece may have different thicknesses and colors, mostly bright and switched on. They are found in wool, but especially polyester, polyamide, acrylic, nylon, viscose or polypropylene. The semi-combed yarns are resembling as consistency of the beautiful New Zealand wool (famous for centuries for its softness, for his warmth and strength), but from China. Do not fear the moisture and fragrance, and materials are anti-combustion

Shaggy Rugs: These products represent the latest generation of carpets. Inspired by the roaring '60s back in fashion, and can be recognized by the characteristic level long, of 10-15 cm. The fibers of the fleece may have different thicknesses and colors, mostly bright and switched on. They are found in wool, but especially polyester, polyamide, acrylic, nylon, viscose or polypropylene. The semi-combed yarns are resembling as consistency of the beautiful New Zealand wool (famous for centuries for its softness, for his warmth and strength), but from China. Do not fear the moisture and fragrance, and materials are anti-combustion

Shaggy Rugs: These products represent the latest generation of carpets. Inspired by the roaring '60s back in fashion, and can be recognized by the characteristic level long, of 10-15 cm. The fibers of the fleece may have different thicknesses and colors, mostly bright and switched on. They are found in wool, but especially polyester, polyamide, acrylic, nylon, viscose or polypropylene. The semi-combed yarns are resembling as consistency of the beautiful New Zealand wool (famous for centuries for its softness, for his warmth and strength), but from China. Do not fear the moisture and fragrance, and materials are anti-combustion